The bell is hanging right in front of the face of the puppet, sometimes hitting it because of the wind. The puppet is wearing a black suit and his skin is the color of metal. I was asked to rebrand the Oakland organization and I developed an. small puppet sitting on top of a rectangular stool. Mocha is a community center and interactive gallery where children and their families. The work’s effect on the viewer is ambiguous, as it is funny and disturbing at the same time. MOCA Tucson resides on the ancestral lands of the Tohono O’odham people. The head bangging into the bell is a metaphor for the artist’s masochistic creative process. Museum of Contemporary Art 520.624.5019 265 South Church Avenue Tucson, AZ, 85701. In this work, the puppet is a surrogate for the artist. Before 1974, he was a performance artist who took risks with his body in order to make artistic statements. Oppenheim’s early work was associated both with performance/body art and the early earthworks/land art movement.Īttempt to Raise Hell was a different take for Oppenheim. In 1964, he earned a Bachelor of Fine Arts degree from the California College of Arts and Crafts in Oakland, California, and an MFA from Stanford University in Palo Alto, California, in 1965. He is known as an artist who consistently pushed the boundaries of art through temporal form documented in photography, to installation, sculpture and large scale public projects. Wood and metal platform, brass bell and dummy dollĭennis Oppenheim (born 1938 in Electric City, Washington) was an American artist based in New York.
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